All Strength is Not the Same for the Warrior!

As martial artists most of us tend to cringe and shy away from words like “strength” and “power” in favor of seemingly more budo-friendly fitness words like “agility”, “coordination”, or “balance”. Yet, often we do not understand the actual definitions of the words and simply avoid them because of some misplaced fear that they will be detrimental to our taijutsu and make us “muscle” through our techniques. Nothing could be further from the truth! Let’s examine some of the components that make up strength in more detail to understand just how much they are applicable to creating a strong physical and mental base from which to launch the rest of our Budo Taijutsu skills.

General physical conditioning is essential for the warrior to develop a broad-based platform of strength, endurance, agility, coordination, and flexibility from which to launch and further refine skills. But, what exactly is strength? Strength is defined as “the ability of a given muscle or group of muscles to exert force against resistance.” It is a function of the appropriate muscles contracted by effective nervous stimulation. This alone, however, is insufficient. There are also at least five different sub-categories of strength which we will break down to give you a more complete understanding of the term.

 The first sub-category is Maximal Strength. This is the maximum amount of force that a person can voluntarily produce. Example exercises to cultivate Maximal Strength are: one arm pushups, one arm chin-ups, one legged squats, and heavy weight lifting. But what on earth does Maximal Strength have to do with Budo Taijutsu? Aren’t we training to only use as much force as necessary and appropriate to a specific movement or technique? Why would we need our maximal voluntary strength output when training for taijutsu fitness? These are all good questions. On the surface, it would seem like this sub-category of strength is a big “N/A” for us. What possible benefit could this particular strength quality have for budoka? To begin to appreciate the benefits of training maximal strength, we must first understand the different types of muscle fibers. Generally, when people speak about fast twitch and slow twitch muscle fibers, they tend to separate them out as two distinct types. This can be a little misleading due to the fact that muscle fibers are not either /or, but in actuality they appear to lie somewhere on a continuum between the two. Thus to emphatically state that one type or the other is predominate within certain groups of muscles can cause confusion. Because low intensity exercise, like jogging at a steady-state pace for example, does not activate the fast twitch (FT) muscle fibers, we must increase the intensity of the exercise to stimulate the motor units that contain the FT fibers. If the motor units are not stimulated, then no response occurs and no adaptation occurs. Fast twitch muscle fibers and slow twitch muscle fibers are both recruited in high percentages when performing maximal strength exercises. Maximal strength training creates potent neural adaptations which lead to increased intermuscular and intramuscular coordination. A side bonus for working on maximal strength with body weight exercises is that the majority of them that fall in this category also require balance, coordination, flexibility, and appropriate tension throughout the entire body. Examples include, but are by no means limited to, one arm push-ups, one-legged squats, one arm chin-ups/pull-ups, etc.

Does this mean that we should devote every training session to developing maximal strength? No – far from! As warriors, we must understand the different qualities that make up strength and learn how to apply them to optimize our fitness levels specific to our goals. Since our goals do not revolve around winning any Strongman competitions or Power lifting contests, we can relegate working on maximal strength to only once a week, at the most, or a every couple weeks at the very least, to reap the benefits. The rest of the time, consign maximal strength to its rightful place back in our strength and conditioning toolbox. Too much emphasis on maximal strength can lead to becoming muscle “bound”, as in bound, constrained, unable to move freely and without appropriate tension.

The second sub-category of Strength is Explosive Strength. This is the ability to produce maximal force (see above) in a minimal amount of time. Explosive strength? Jon, you’ve got to be kidding me! We don’t use explosive strength in Bujinkan Budo Taijutsu! Really? Are you sure? Every time you leap, sprint, dive out of the way of an errant sword strike, or (and this is a big one!) use stored elastic energy to create power in your movement, you are using explosive strength. Sure, the terminology sounds like something that will adversely affect our taijutsu and that any serious budoka should avoid like the plague, but rest assured, that the much maligned concept of strength does play an important role in budo taijutsu and utilizing the strength exercises prescribed in this manual will provide a solid physical basis on which to build real skill. Plyometrics is a specific training means for developing explosive strength designed by Russian sports scientist, Yuri Verkhoshansky in the early 1960’s.  Closely linked to Explosive Strength are Speed Strength and Reactive Strength.

The third sub-category of strength is probably one of the most familiar to us. It is Strength-Endurance. OK; much better… now we are in familiar territory. Endurance is a concept that a ninja can relate to! This strength quality involves the production of muscular tension without a noticeable decrease in efficiency over long periods of time. Development of strength-endurance is a fundamental necessity for warriors, whether on the battlefield, in training, or just everyday life. A helpful analogy to keep in mind when applying the different aspects of strength training to budo is that they are like a recipe for success. All of the ingredients in any recipe are not utilized in the same amounts. A little bit of salt may be all that’s required to enhance the flavor, while a lot of flour may be necessary to provide the base. The same idea applies to strength training. Warriors will normally require a lot of strength endurance and cardio-respitory endurance, but maybe only a little bit of maximal strength development is necessary to round out their overall skill. “When effective methodology is used, exercises with resistance promote not only an increase in movement speed but also perfection of coordination, motor reaction, quickness and frequency of movements, the ability to relax muscles, development of local muscular endurance and an increase in maximal anaerobic capacity.” (Verkhoshansky, Special Strength Training – A Practical Manual for Coaches) The key here is in how these various strength qualities are trained. For martial arts, specifically Bujinkan Budo Taijutsu, we want to work exercises which emphasize intermuscular coordination of the whole body. Isolation exercises should be avoided as they are antithetical to what we are trying to accomplish in training. When performing all of the exercises listed here, try to use as little tension and muscular effort as possible; just enough to accomplish the task and no more. Try not to utilize general tension (tightening of the entire body) to carry you through the exercise. Since everything that we do acts as conditioning for our Central Nervous System (CNS), for good or for bad, we want to make sure our exercise philosophy is in harmony with our overall training strategy. Remember that in our day-to-day Bujinkan Budo training we are striving to perform techniques efficiently and effectively with minimal muscular recruitment, therefore our physical fitness training should not use a separate strategy.

Hopefully this short look at the various types of strength has been helpful!

Your Sanshin No Kata Under a Microscope

Sanshin no Kata (form of the three hearts) forms the basis for movement in the Bujinkan. These five foundational exercises cannot be overlooked, especially with regard to solo training.

When I first began training in the Bujinkan over 20 years ago there were very few training resources.  There was no Internet!  In a way it was much easier for a beginner since there weren’t a lot of distractions.  Today we are bombarded by information and perhaps sometimes even overwhelmed by it.  Back in the day, practicing alone was easy.  You had kamae.  You had some basic strikes.  You had ukemi.  You had basic hanbo movements.  And, you had Sanshin No Kata.  In the early days of my training, Jack Hoban used to drill us in these basics virtually every class.  I remember many a hot, sweaty night in the old gym dojo back in Asbury Park, NJ where the small class would work Sanshin No Kata in front of full length mirrors for the entire class, usually followed by basic kicking and punching an ancient heavy bag in the corner.  This kind of practice may seem boring or at least unsexy these days, but I assure you it built a very strong foundation.

How to Practice

Today, one of the best ways to practice these kata is still in front of a full-length mirror. This way, you will be able to notice all the little “hitches” and inconsistencies in your movement. Use the mirror as a training device to evaluate your posture and movement. For each kamae, and especially including the transitory movements between kamae, make sure that:

  • back is straight (crown lifted up),
  • shoulders are down,
  • head is not transposed forward over the neck,
  • chest is relaxed,
  • butt not sticking out,
  • hips are open,
  • knees are over the toes,
  • weight evenly distributed (50/50)
  • no leaning forward or backward

These are the very obvious, glaring errors that will be easily noticed as you start this practice. Chronic tension and tightness when in transition between kamae will be abated with continued practice – the key to eliminating the excess tension in your movement is first being aware of it! With consistency and patience, you will gradually shape your body to conform to the characteristics of good taijutsu. This is not an easy process and can be painstakingly difficult due to the constant attention to detail working to chip away at all the unnecessary, inefficient movement built up over years of chronic tension and unnatural movement. You may also notice a particular lack of flow between movements because you are concentrating so much. Build efficiency in steps. First, work on the static kamae. Next begin to add the steps and strikes. Finally, work the entire kata in a flow with no pauses or breaks in the movement. This process will gradually streamline your movement and eliminate the unwanted tension and imbalances. It takes a lot of practice, dedication, and hard work to move with ease!

Chi No Kata as an Example

Let’s take a look at the first kata, Chi no Kata, as an example.

To begin, start in Boubi No Kamae, left hand straight out in front with a natural bend in the elbow, pointed at the opponent’s heart, right hand held in a fist in the crook of your right hip. Move with exaggerated slowness as if practicing a Tai Chi version of the kata.

Drop the weight from your hips, shift over the front knee, and let your rear elbow straighten, dropping the hand in front of the hip to create a slight tension in the spine. This point here about creating torque or stored elastic energy (SEE) in the spine is essential in being able to move powerfully without winding up or telegraphing the movement. If you are having trouble feeling it, try to exaggerate the movement. Make it much larger than necessary to study the feeling. It should feel like a tension in the lower back near the bottom of the spine.

When this tension (torque) is relaxed (released), the movement happens. See if you can figure out where the energy is stored and how it’s released in the rest of the San Shin no Kata!

Be very careful when transferring your weight that you do not bob up and down; move smoothly through the same plane by shifting your weight laterally. Another point to be mindful of during the weight transfer is that you should be in balance (kamae) at all times. If you were to stop the movement at any point in the transition, you should not lose your balance.

Try it.  Practice it.  Create a strong foundation upon which to build, expand, and grow so that all the information and knowledge being handed down to you today takes root.

You can pick up my video tutorial on how to use Sanshin No Kata to create stability and power in your movement as a FREE Bonus with my Martial Power Program. OR, you can click HERE and get the Sanshin No Kata video separately for just $7!

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Ninja Walking

The following article is an excerpt from Warrior Fitness: Conditioning for Martial Arts…  Enjoy!

Proper walking is footwork training for budo. How we walk in day-to-day life is how we will walk (move) in combat. Efficiency in more complex movement begins with efficiency in simple movements. How can we expect to move with ease in the chaos of a combative environment when most of us have trouble walking with natural gait? Walking is a ubiquitous activity that many people simply take for granted. They move through the day without any awareness of the strain they place on their knees, hips, and lower backs by their poor movement patterns. Just a little awareness will do wonders for your balance, posture, and lightness of step. When Hatsumi Sensei first came to the U.S., of the things he noticed immediately was how heavy and inefficiently people walked. His comment was that most people walked “like Frankenstein”!

 Walking Exercises:

1. Stand in shizen no kamae (natural posture) and balance on one leg. Lift the other foot a few inches off the ground and then lower again in a slow, controlled manner using the flexing of the grounded leg to regulate the descent. Gently bounce a few times getting the feeling of how the grounded leg’s flexion and extension controls the lowering of the other foot. The balance on your leg should be such that you are able to lower the opposite foot to the ground in any direction and easily maintain kamae (balance). Switch legs and now balance on the other leg while lowering the foot.

2. Stand in shizen no kamae (natural posture). Use your right hip to lift the right foot off the ground. It will feel strange at first since this is not a very commonly used muscle action, but once you get used to it, it will become an efficient way of lifting the leg. With the right leg lifted, pull back with the right shoulder.  Notice how this has the effect of creating a slight torque in the spine and moves the right foot forward at the same time. Release the tension in the spine by placing the right foot down in a forward step. Feel how the release of tension propels the body forward and allow it to create the same lift from the hip and pulling back of the shoulder on the left side.

3. Combine the previous two exercises together and begin to walk.

 4.  Another idea to try when walking is to alternate periods of normal, regular breathing with holding your breath for duration when “full”, after an inhale, and when “empty”, after an exhale. Try inhaling for a count of 5 (steps or seconds), hold your breath for a count of 5, exhale for a count of 5, and finally, hold your breath empty for a count of 5 while walking. Repeat as long as you can continue the pace. Note that 5 is just an arbitrary number and can be raised or lowered to suit your own needs. This practice will help you to understand how your body can function during situations when you must suddenly hold your breath yet still continue to work. Another benefit of this exercise is that it also helps the body to process oxygen to brain, heart, and other working muscles more efficiently.

Don’t forget “light feet and soft knees” when walking!

Unlocking Flow in Your Taijutsu Practice

Here’s another one for all my Bujinkan Budo Taijutsu friends out there.

The following set of exercises is specifically designed to increase flow (nagare) in your taijutsu. However, before we get into the exercises themselves we should address the question, what is flow?

Flow is efficiency and continuity in movement. Flow is smoothness of movement that is unencumbered by mechanical, jerky actions. Moving at a faster pace and working harder, does not necessarily mean that the movement is flowing. In fact, if you are working harder, I can almost guarantee the movement is not flowing.

 

Get Out the Way – Move!

Flow is not something you do; it is something you get out of the way of!

What types of internal distractions, tensions, hitches in movement are preventing you from getting out of your own way?

The following flow exercises are culled from basic exercises of Bujinkan Budo Taijutsu, but can be utilized by anyone to expand your movement potential and increase flow.

When training these exercises, the idea is, of course, continuous movement. Begin with a slow and smooth protocol, working on keeping a good technique level and efficient transition between the movements. One discovers the key to developing flow by examining the in between stages of movement. Often, we see the kamae (structure) and then we see the roll, but what we miss is the essence of flow – the small, transitory movements between them.

Do not attempt to “accomplish” the exercise; that is not the point. Use it as a vehicle to unlock the flow in your movement. Try to keep moving. Don’t pause to think in the middle. Increase the speed as you begin to feel comfortable, but if the technique begins to get sloppy or the movements begin to look mechanical, drop down the intensity level until you are once again performing the flows with good technique. Remember, there is zero training value in simply trying to do the exercises for a “cardio” workout. Go buy a treadmill!

Chi No Kata

1. Step back from a natural posture into left leg forward Ichimonji No Kamae. Do Chi No Kata. From the end point of the kata, continue lowering your center of gravity and extend the right arm to effectively blend the transition from Chi No Kata into a front roll. Allow the momentum of the front roll to carry you to your feet, lifting up from the crown of your head and using your spine, into right Ichimonji No Kamae and, without stopping in the kamae, leap forward landing again in right Ichimonji No Kamae. Continue the movement by reaching forward with the left hand with a feeling of the body being pulled by the hand into left Ichimonji No Kamae. Repeat on the other side.

Sui No Kata

2. Step back from a natural posture into left Ichimonji No Kamae. Do Sui No Kata. From the omote shutou strike at the end of the kata, continue lowering the body with the weight on the front leg, simultaneously stepping through with the back leg to transition from the strike into a back roll. Allow the momentum of the back roll to carry you to your feet, lifting up from the crown of your head and using your spine, into right Ichimonji No Kamae and, without stopping in the kamae, leap backward landing again in right Ichimonji No Kamae. Repeat on the other side.

Ka No Kata

3. Step back from a natural posture into left Ichimonji No Kamae. Do Ka No Kata. From the ura shutou strike at the end of the kata, bring your left foot forward next to the right foot a little more than shoulder width apart to transition into Hira No Kamae. Without stopping in the kamae, lower your center of gravity and flow into a side roll to the right. Roll right back into Hira No Kamae and leap sideways to the right, landing again in Hira No Kamae. Repeat on the other side.

Fu No Kata

4. Step back from a natural posture into left Ichimonji No Kamae. Do Fu No Kata. Immediately transition to Hoko No Kamae and flow into a cartwheel. Land back in Hoko No Kamae and leap down into a kneeling Ichimonji No Kamae. Repeat on the other side.

Ku No Kata

5. Step back from a natural posture into left Ichimonji No Kamae. Do Ku No Kata. Immediately transition to a forward break-fall followed by a forward roll into Jumonji No Kamae. Leap directly upwards. Repeat on the other side.

Enjoy!

Flow drills from the book, Warrior Fitness: Conditioning for Martial Arts

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Ukemi Flow Conditioning Workout

This one is for all the martial artists out there –  I created the following ukemi conditioning workout for myself a few years ago to specifically target the transitions between my rolls and begin to unlock flow.  Additionally, it has the effect of really getting your heart pumping and makes a great workout!  Start out slowly and smoothly by practicing for the first few rounds.  Groove the movement and then begin to increase the speed.  Remember, you do yourself and your training a disservice if you rush through the movements simply to say you accomplished the workout.  Flow is not something you do, it’s something you allow – you have to be able to get out of your own way!  That being said, give this a try and let me know how it works for you.

Ukemi Flow

  1. Begin in Shizen No Kamae (natural stance), squat down to ball of foot squat
  2. Zenpo Kaiten (front roll) over the right shoulder
  3. Ushiro Kaiten (back roll)
  4. Stand up into Shizen No Kamae (natural stance), squat down to ball of foot squat
  5. Zenpo Kaiten (front roll) over the left shoulder
  6. Ushiro Kaiten (back roll)
  7. Stand up into Shizen No Kamae (natural stance)
  8. Yoko Nagare (side roll) with the leg crossing in front to the right
  9. Yoko Nagare (side roll) with the leg crossing in front to the left
  10. Stand up into Shizen No Kamae (natural stance)
  11. Zempo Ukemi (forward break fall)
  12. Stand up into Shizen No Kamae (natural stance)
  13. Yoko Nagare (side roll) with the leg crossing behind to the right
  14. Yoko Nagare (side roll) with the leg crossing behind to the left
  15. Stand up into Shizen No Kamae (natural stance) – repeat!

Start out with 4 rounds of 3 minutes each with a 1 minute break between rounds.  Use the minute break to get your breathing back under control and shake out the tension.  When this becomes easier, decrease the rest period to 30 seconds between rounds. Finally, try to perform the Ukemi Flow continuously for 12 minutes.  You can also adjust the difficulty level of the flow by adding directional leaps at the end of each roll.  Or, it can be made easier by performing it from kneeling in Seiza no Kamae instead of standing.

Notes: Make sure you warm-up with brief joint mobility session prior to the workout.

Got your own version of an ukemi-specific workout?  Please share with us in the comments section below!

How to Train for the Endurance of a Ninja

As promised, here is an example strength endurance workout to start you on the way to building ninja-like endurance.

We will work the upper body, core, and lower body for a complete, whole body workout.

The goal of this type of training is to improve the body’s general endurance capacity so as to increase our overall resistance to fatigue.  This will enable you to train longer, harder, and more frequently, as well as improving your ability to recover between training sessions and between exercises.

Instructions

Move from one exercise to the next with no rest between exercises.  Determine rest periods at the end of each set on your own.  If no rest is required then move back to the first exercise and begin again.  Strive to perform as many sets as possible in 20 minutes.

Upper Body:

  • Pull-ups – SM (submax)
  • Shuto Push-ups – 20
  • Fist Push-ups – 20
  • Hindu Push-ups – 20

Shuto Push-up

  
 
 

Core: 

  • V-ups – 20
  • Knee Hugs – 20

For reference, these exercises are illustrated and described here.

Legs:

  • Ichimonji Squats – 25 each side
  • Walking Lunges– 20 per leg
  • Mountain Climbers – 50 per leg

Finisher:  

  • Wall Sit for time

This last exercise we will perform only once when the main work above is complete.  The idea here is to provide a final challenge to both the body and the mind.  You will already be exhausted from all the prior work, so consider this an exercise in willpower and mental toughness.  This will require the mental fortitude to push yourself just a little bit farther!

Remember, it requires more than a black costume and funny split-toe shoes to be a ninja – train hard!

 

 

 

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So Ya Wanna Be a Ninja?

Masaaki Hatsumi, Grandmaster of the Bujinkan Dojo, once stated, “endurance is of primary importance for the ninja.”  One definition of endurance is the ability to resist fatigue.  Looking at the kanji (Chinese character) for Nin, there is the ideogram for “sword” over the ideogram for “heart” giving Nin a meaning of, “even though you hold a sword over my heart, I will endure.” 

How many of us training in the Bujinkan, or any other martial art, can truthfully claim that ability?  How long can you train?  How far can you push yourself?  In martial art, endurance, or the ability to “keep going” is defined in years, not minutes, hours, or days.  How can we create an effective training program that will instill in us the ability to continue, to endure?

Physical Endurance

Let’s begin by examining the concept of physical endurance.  There are 3 basic types of physical endurance:

  1. Aerobic endurance
  2. Anaerobic endurance
  3. Strength endurance

We discussed the body’s 3 energy systems and how using the Tabata Protocol can effectively improve both the aerobic and anaerobic systems here.  Strength endurance is defined as the ability to effectively maintain muscular functioning under work conditions of long duration.  There are two basic ways to increase the ability of your body to do more physical work.  One is the continuous adding of weights, sets, reps, and time to push the body to create an adaptation to allow it to perform more work for a longer duration.  As we discussed previously in the article on GPP, the body’s capacity is expanded.  Progress is incremental and continuous for as long as one is able to keep increasing driving forces in the body.  The next one, however, is often overlooked in our “just add more volume” culture.  More is always better, right?  If one vitamin is good for you, take 4, that’s even better (please don’t!).  But, there is another way to allow the body to continue training in addition (no pun intended) to adding more work.  By removing restrictions in your body, like unnecessary tension or extra body weight or lack of flexibility/mobility in a particular area, you then free up resources in your body that were spent holding that tension that you weren’t even aware of on a conscious level.  These restrictions, once removed, allow even greater leaps in performance than simply adding more work.  When the 2 are combined, it’s a powerful combination!

How Do We Program It?

By programming our workouts so that we effectively build in both the removal of restrictive forces, while also increasing driving forces, we can maximize our progress.  This idea is present in traditional methods of Hatha Yoga in the form of balancing strength and surrender.  Contrary to popular opinion, yogi’s do not simply work to become more flexible.  They actively work to increase both strength and flexibility as complimentary opposites in order to achieve a state of balance.  Now, I’m not asking you to become a yogi here, merely pointing out that this is not a new concept at all, but has been used by traditional arts for thousands of years.  Our program for developing ninja-like endurance will utilize both joint mobility exercises and yoga asana (poses), as well as breathing exercises, to aid in the removal of restrictive forces binding your training and slowing your progress.  Next week I will be putting out an article on breathing exercises that can be used for relaxation, stress management, removing residual tension, and also for increasing energy – keep your eyes out!

For an example of some easy yoga postures that can start helping you right now, head over to my good friend Josh Sager’s excellent blog, Fretterverse, and check out my article on Yoga for Guitarists.   A free sample joint mobility training program can be obtained simply by signing up for the Warrior Fitness Mailing List at the top right of the page.  Sign up now and begin working on removing restrictive forces today!

And, don’t forget to check out Warrior Fitness: Conditioning for Martial Artists for more exercises, options, explanations, and program design!

Stay tuned for a sampleStrength Endurance Workout coming soon!

Fitness Requirements for Bujinkan Martial Arts Training

As a 25 year veteran of Bujinkan martial arts training, as well as being the creator of Warrior Fitness Training Systems, one of the things I pride myself on is my ability to access the fitness needs of my fellow martial artists, particularly those who train in the Bujinkan.

A common misconception that you’ll hear bandied about from dojo to dojo all across the world is that strength, and by association overall, general fitness, is not required.

I think this has to do with a fundamental misunderstanding of how we train.  In class, when practicing techniques, it is imperative to be as efficient in one’s movement as possible, and thus avoid using excess, unnecessary power (read – strength).

In order to isolate the study of distance, timing, angling, and space management, one must put strength on the back burner in the dojo to avoid powering through the movements and missing all the wonderful subtleties that taijutsu has to offer.

However, in an actual conflict, you can and in fact, you must, use all your power, including strength, to survive.  As Jack Hoban said in his interview here, “real fights are very physical – tiring and punishing”.  Anyone who thinks physical fitness isn’t required in the traditional martial arts is really just kidding themselves.

Bujinkan Practitioners and Fitness

Why do Bujinkan practitioners need fitness training?

Optimal physical conditioning provides the platform from which the skills can be used.”  

– Fred Hatfield, aka Dr. Squat

Meaning that the specific physical skills of taijutsu MUST be built upon a solid foundation of basics, like sanshin no kata and kihon happo, and even more fundamental, a strong budo-body.  Without this platform in place your martial art skills are like a house built on sand.

From my book, Warrior Fitness: Conditioning for Martial Arts:

 “Since combat occurs in a volatile and unpredictable atmosphere, training must prepare the warrior to adapt. Remember that the goal of all the exercises in this manual is to develop the ability to control the degree of tension in our body and be able to utilize just the right amount of force at the appropriate moment. This way we may be able to sustain activity for longer and longer periods of time without exhausting ourselves.”
 

The first step in ensuring you are building skill on top of a solid foundation is General Physical Preparedness (GPP).  The goal of GPP is enhanced work capacity.  This is the ability to run faster, jump higher, and hit harder.

When work capacity increases, it allows the budding warrior to adapt more easily to increases in both mental and physical demands.  In other words, it increases your capacity and level of readiness to absorb higher levels of specificity.  In a martial art as seemingly limitless as Budo Taijutsu, one must possess the endurance to “keep going!”

In Part 2 of this series on fitness for Bujinkan practioners, we’ll look at some examples of GPP type exercises and how to incorporate them into an overall training program.

  • Looking to increase your level of readiness for martial arts training and fitness?

 

Want to train more, at a higher level, for a longer period of time?

 

Want to get more out of your training time both at home and in the dojo?

 

Want to build new skills and enhance your technical arsenal?

My brand new program, The Power Protocol, will show you how!

Jack Hoban on Fitness

The interviews conducted here at Warrior Fitness will highlight people who have significantly influenced my thinking and training on fitness, who are leaders in their particular fields of expertise, and whom I admire.  Jack Hoban happens to fit all three.  Through his unwavering commitment to martial arts and fitness, Jack has inspired me to keep going over the past 20 years down the dual path of martial arts and fitness.

 Jack Hoban is a former active duty U.S. Marine Corps Captain and long time practitioner of martial arts.  He is Shidoshi Senior Instructor in the Bujinkan Budo Taijutsu and Togakure Ryu Ninjutsu systems under Grand Master Masaaki Hatsumi in Japan and has authored three books on warriorship.  Mr. Hoban also holds an MBA and is an executive in the healthcare industry.    Jack’s full biography, and further information, can be found on his website here

 

1.  Can you please describe your current philosophy on physical fitness?

I have been serious about physical fitness for most of my life, first as an athlete in grammar school, high school and college, and then as a Marine, and martial artist.  That hasn’t changed, just become more refined and age-appropriate as the years have gone by.  Humans are physical beings and have been so for millions of years; I think we should acknowledge and honor that fact by maintaining a high level of physicality in our lives.  That’s my philosophy.  Until fairly recently, being physically fit, for most of us, was just a part of being human—and staying alive through hunting and gathering, farming, work, or other physical endeavors.  That has changed, and there is a greater risk of falling into a sedentary lifestyle today.  But our basic nature as physical animals has not changed.  We have to be careful not to stray too far from our nature, or certainly unhappiness and ill health may result.

2.  How has your outlook changed over the years?

It really hasn’t changed.  It has just become more refined.  I have tried some of the new fitness technologies—for example I run barefoot now using the new Vibram footwear.  I also think I use cross-training more effectively than in the past.  But I pretty much do the kinds of things I have always done.  I do have to worry more about “overdoing it,” because injuries take longer to heal.

3.  Do you have a daily fitness regimen that you follow?

Yes and no.  I have a range of things that I do, but it changes according to my schedule, the season, the weather and how I am feeling.

4.  Can you briefly tell us what it consists of?

Again, it is not a daily thing in that I don’t do the same thing every day.   But over the course of a week I typically fit in a few runs (45 minutes to an hour), I lift weights, I do a lot of core training, and I do various calisthenics.  In the winter I use the gym for the rowing machine, treadmill and elliptical.  In the summer I swim in the ocean almost every day.  I practice martial arts daily by myself, and have a class between 2 and 5 times a week.

5.  How do you think fitness and budo (martial arts) are related?

Inseparably, although martial artists might take care to explore a regimen that is complimentary to martial arts—one that increases strength and endurance, but also promotes flexibility and relaxation.

6.  How has your being in excellent physical condition enhanced your martial arts training?

Simple, it helps me to “keep going” longer and more consistently without being tired or sick.  And by the way, real fights are very physical—tiring and punishing. 

7.  How does your being in excellent physical condition help your work with the Marine Corps Martial Arts Program (MCMAP)?

When I first meet a new class of students, the unspoken question is “Is he one of us?  Can he do what we do?  If he can’t, why should we do what he does?”  That’s just the nature of young, competitive men.  Because I can pretty much keep up with them “for an old guy,” I gain a certain measure of respect.  That way, they are open to the other physical and ethical lessons I am there to share.

8.  Has the Marines Combat Conditioning program influenced your personal exercise program, and if so, how?

Yes, in at least two ways.  It has made me more aware of the value of cross training, and two, it has made me more creative in using training aides of opportunity.  By that I mean, you can design your own training regimens and make your own training apparatuses just by using your brain and common items and structures.  You don’t need fancy equipment; an old tire works just fine as an exercise apparatus.

9.  The last, but most important question, how do you keep going?

I enjoy it!  Find a method of physical exercise that you enjoy and pursue that.  Find other people who like it as well, and do it together.  That will help too.

Thanks Jack!