Tag Archives: bujinkan martial arts

Your Sanshin No Kata Under a Microscope

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Sanshin no Kata (form of the three hearts) forms the basis for movement in the Bujinkan. These five foundational exercises cannot be overlooked, especially with regard to solo training.

When I first began training in the Bujinkan over 20 years ago there were very few training resources.  There was no Internet!  In a way it was much easier for a beginner since there weren’t a lot of distractions.  Today we are bombarded by information and perhaps sometimes even overwhelmed by it.  Back in the day, practicing alone was easy.  You had kamae.  You had some basic strikes.  You had ukemi.  You had basic hanbo movements.  And, you had Sanshin No Kata.  In the early days of my training, Jack Hoban used to drill us in these basics virtually every class.  I remember many a hot, sweaty night in the old gym dojo back in Asbury Park, NJ where the small class would work Sanshin No Kata in front of full length mirrors for the entire class, usually followed by basic kicking and punching an ancient heavy bag in the corner.  This kind of practice may seem boring or at least unsexy these days, but I assure you it built a very strong foundation.

How to Practice

Today, one of the best ways to practice these kata is still in front of a full-length mirror. This way, you will be able to notice all the little “hitches” and inconsistencies in your movement. Use the mirror as a training device to evaluate your posture and movement. For each kamae, and especially including the transitory movements between kamae, make sure that:

  • back is straight (crown lifted up),
  • shoulders are down,
  • head is not transposed forward over the neck,
  • chest is relaxed,
  • butt not sticking out,
  • hips are open,
  • knees are over the toes,
  • weight evenly distributed (50/50)
  • no leaning forward or backward

These are the very obvious, glaring errors that will be easily noticed as you start this practice. Chronic tension and tightness when in transition between kamae will be abated with continued practice – the key to eliminating the excess tension in your movement is first being aware of it! With consistency and patience, you will gradually shape your body to conform to the characteristics of good taijutsu. This is not an easy process and can be painstakingly difficult due to the constant attention to detail working to chip away at all the unnecessary, inefficient movement built up over years of chronic tension and unnatural movement. You may also notice a particular lack of flow between movements because you are concentrating so much. Build efficiency in steps. First, work on the static kamae. Next begin to add the steps and strikes. Finally, work the entire kata in a flow with no pauses or breaks in the movement. This process will gradually streamline your movement and eliminate the unwanted tension and imbalances. It takes a lot of practice, dedication, and hard work to move with ease!

Chi No Kata as an Example

Let’s take a look at the first kata, Chi no Kata, as an example.

To begin, start in Boubi No Kamae, left hand straight out in front with a natural bend in the elbow, pointed at the opponent’s heart, right hand held in a fist in the crook of your right hip. Move with exaggerated slowness as if practicing a Tai Chi version of the kata.

Drop the weight from your hips, shift over the front knee, and let your rear elbow straighten, dropping the hand in front of the hip to create a slight tension in the spine. This point here about creating torque or stored elastic energy (SEE) in the spine is essential in being able to move powerfully without winding up or telegraphing the movement. If you are having trouble feeling it, try to exaggerate the movement. Make it much larger than necessary to study the feeling. It should feel like a tension in the lower back near the bottom of the spine.

When this tension (torque) is relaxed (released), the movement happens. See if you can figure out where the energy is stored and how it’s released in the rest of the San Shin no Kata!

Be very careful when transferring your weight that you do not bob up and down; move smoothly through the same plane by shifting your weight laterally. Another point to be mindful of during the weight transfer is that you should be in balance (kamae) at all times. If you were to stop the movement at any point in the transition, you should not lose your balance.

Try it.  Practice it.  Create a strong foundation upon which to build, expand, and grow so that all the information and knowledge being handed down to you today takes root.

You can pick up my video tutorial on how to use Sanshin No Kata to create stability and power in your movement as a FREE Bonus with my Martial Power Program. OR, you can click HERE and get the Sanshin No Kata video separately for just $7!

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Ninja Walking

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The following article is an excerpt from Warrior Fitness: Conditioning for Martial Arts…  Enjoy!

Proper walking is footwork training for budo. How we walk in day-to-day life is how we will walk (move) in combat. Efficiency in more complex movement begins with efficiency in simple movements. How can we expect to move with ease in the chaos of a combative environment when most of us have trouble walking with natural gait? Walking is a ubiquitous activity that many people simply take for granted. They move through the day without any awareness of the strain they place on their knees, hips, and lower backs by their poor movement patterns. Just a little awareness will do wonders for your balance, posture, and lightness of step. When Hatsumi Sensei first came to the U.S., of the things he noticed immediately was how heavy and inefficiently people walked. His comment was that most people walked “like Frankenstein”!

 Walking Exercises:

1. Stand in shizen no kamae (natural posture) and balance on one leg. Lift the other foot a few inches off the ground and then lower again in a slow, controlled manner using the flexing of the grounded leg to regulate the descent. Gently bounce a few times getting the feeling of how the grounded leg’s flexion and extension controls the lowering of the other foot. The balance on your leg should be such that you are able to lower the opposite foot to the ground in any direction and easily maintain kamae (balance). Switch legs and now balance on the other leg while lowering the foot.

2. Stand in shizen no kamae (natural posture). Use your right hip to lift the right foot off the ground. It will feel strange at first since this is not a very commonly used muscle action, but once you get used to it, it will become an efficient way of lifting the leg. With the right leg lifted, pull back with the right shoulder.  Notice how this has the effect of creating a slight torque in the spine and moves the right foot forward at the same time. Release the tension in the spine by placing the right foot down in a forward step. Feel how the release of tension propels the body forward and allow it to create the same lift from the hip and pulling back of the shoulder on the left side.

3. Combine the previous two exercises together and begin to walk.

 4.  Another idea to try when walking is to alternate periods of normal, regular breathing with holding your breath for duration when “full”, after an inhale, and when “empty”, after an exhale. Try inhaling for a count of 5 (steps or seconds), hold your breath for a count of 5, exhale for a count of 5, and finally, hold your breath empty for a count of 5 while walking. Repeat as long as you can continue the pace. Note that 5 is just an arbitrary number and can be raised or lowered to suit your own needs. This practice will help you to understand how your body can function during situations when you must suddenly hold your breath yet still continue to work. Another benefit of this exercise is that it also helps the body to process oxygen to brain, heart, and other working muscles more efficiently.

Don’t forget “light feet and soft knees” when walking!

Unlocking Flow in Your Taijutsu Practice

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Here’s another one for all my Bujinkan Budo Taijutsu friends out there.

The following set of exercises is specifically designed to increase flow (nagare) in your taijutsu. However, before we get into the exercises themselves we should address the question, what is flow?

Flow is efficiency and continuity in movement. Flow is smoothness of movement that is unencumbered by mechanical, jerky actions. Moving at a faster pace and working harder, does not necessarily mean that the movement is flowing. In fact, if you are working harder, I can almost guarantee the movement is not flowing.

 

Get Out the Way – Move!

Flow is not something you do; it is something you get out of the way of!

What types of internal distractions, tensions, hitches in movement are preventing you from getting out of your own way?

The following flow exercises are culled from basic exercises of Bujinkan Budo Taijutsu, but can be utilized by anyone to expand your movement potential and increase flow.

When training these exercises, the idea is, of course, continuous movement. Begin with a slow and smooth protocol, working on keeping a good technique level and efficient transition between the movements. One discovers the key to developing flow by examining the in between stages of movement. Often, we see the kamae (structure) and then we see the roll, but what we miss is the essence of flow – the small, transitory movements between them.

Do not attempt to “accomplish” the exercise; that is not the point. Use it as a vehicle to unlock the flow in your movement. Try to keep moving. Don’t pause to think in the middle. Increase the speed as you begin to feel comfortable, but if the technique begins to get sloppy or the movements begin to look mechanical, drop down the intensity level until you are once again performing the flows with good technique. Remember, there is zero training value in simply trying to do the exercises for a “cardio” workout. Go buy a treadmill!

Chi No Kata

1. Step back from a natural posture into left leg forward Ichimonji No Kamae. Do Chi No Kata. From the end point of the kata, continue lowering your center of gravity and extend the right arm to effectively blend the transition from Chi No Kata into a front roll. Allow the momentum of the front roll to carry you to your feet, lifting up from the crown of your head and using your spine, into right Ichimonji No Kamae and, without stopping in the kamae, leap forward landing again in right Ichimonji No Kamae. Continue the movement by reaching forward with the left hand with a feeling of the body being pulled by the hand into left Ichimonji No Kamae. Repeat on the other side.

Sui No Kata

2. Step back from a natural posture into left Ichimonji No Kamae. Do Sui No Kata. From the omote shutou strike at the end of the kata, continue lowering the body with the weight on the front leg, simultaneously stepping through with the back leg to transition from the strike into a back roll. Allow the momentum of the back roll to carry you to your feet, lifting up from the crown of your head and using your spine, into right Ichimonji No Kamae and, without stopping in the kamae, leap backward landing again in right Ichimonji No Kamae. Repeat on the other side.

Ka No Kata

3. Step back from a natural posture into left Ichimonji No Kamae. Do Ka No Kata. From the ura shutou strike at the end of the kata, bring your left foot forward next to the right foot a little more than shoulder width apart to transition into Hira No Kamae. Without stopping in the kamae, lower your center of gravity and flow into a side roll to the right. Roll right back into Hira No Kamae and leap sideways to the right, landing again in Hira No Kamae. Repeat on the other side.

Fu No Kata

4. Step back from a natural posture into left Ichimonji No Kamae. Do Fu No Kata. Immediately transition to Hoko No Kamae and flow into a cartwheel. Land back in Hoko No Kamae and leap down into a kneeling Ichimonji No Kamae. Repeat on the other side.

Ku No Kata

5. Step back from a natural posture into left Ichimonji No Kamae. Do Ku No Kata. Immediately transition to a forward break-fall followed by a forward roll into Jumonji No Kamae. Leap directly upwards. Repeat on the other side.

Enjoy!

Flow drills from the book, Warrior Fitness: Conditioning for Martial Arts

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A Day in the Life…

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At the suggestion of my good friend, and West Coast Buyu, Dave Furukawa, I am presenting a look at one of my daily workouts.  Please see Dave’s comments on my previous post here for reference.

This is a record of my activity from yesterday, Memorial Day 2010:

Morning

Life begins early here, even on long holiday weekends, since our 19 month old, Juliana, doesn’t distinguish weekends from weekdays yet!  So at 6 am I was up making coffee and searching through her Elmo DVDs to find the particular episode she wanted that morning.  As the coffee was brewing I began working through my joint mobility routine in the kitchen.  Each joint from neck down to ankles and toes is rotated through its entire range of motion to flush the joints with synovial fluid and increase blood flow to the surrounding muscles.  This has the effect of lubricating the joints and removing the “rust”, as well as awakening the entire body.

As interest in her Elmo episode waned and Juliana wandered off to “read” her books and play with toys, I began working through San Shin no Kata, the Bujinkan basic movement exercises.  Each movement was practiced stationary, then walking forward and backward with emphasis on using the spine to generate power for the movements.

Mid-Afternoon

In the afternoon I took the kids to the playground.  My older daughter, Caitlin, rode her bike while I pushed the baby along in her little buggy.  As I walked each step was coordinated with breathing to work on breath capacity.  For example, inhale for 5-steps, hold on the inhale for 5-steps, exhale for 5-steps, then hold on the exhale for 5-steps.  This can be done continuously with the same pattern or you can alter the number of steps for each breath cycle up or down to make it easier or more challenging.  See my post entitled Breathing 101 for more breathing related exercises.  At the playground, in between pushing the kids on the swings and taking the little one down the slide, I used the monkey bars for random amounts of pull-ups and chin-ups.

Evening

Finally got the kids to bed around 8:30 and went down to the basement gym for my workout proper.  My current program is geared towards developing unarmed striking power and basic weapons work. 

  • Brief joint mobility warm-up
  • Suburi with Yari (spear) – 3 rounds of 10 thrusts from Seigan no Kamae, 10 thrusts from Jodan no Kamae, each side
  • Suburi with heavy bokken – 3 rounds of 10 cuts from Jodan no Kamae, advancing and retreating
  • Swipes with 15 lb clubbell – 3 sets of 10
  • Mills with 15 lb clubbell (think omote shuto type movement) – 3 sets of 10
  • Reverse Mills with 15 lb clubbell (think ura shuto type movement) – 3 sets of 10
  • Clean to Order with 25 lb clubbell – 3 sets of 5 each arm
  • Clean to Order with 45 lb clubbell – 1 set of 5 each arm
  • 5 minutes of various yoga asana to cool-down

This is just a quick glimpse into a much larger program that I am testing on myself for eventual release.  For more information on my previous programs, please check out my ebook, Warrior Fitness: Conditioning for Martial Arts.

The “Incomplete” Kihon Happo DVD Review

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Chuuto Hanpa Kihon Happo or, The “Incomplete” Kihon Happo, is a new DVD by Bujinkan instructor, Rob Renner.  Rob has been training in the Bujinkan since 1986 and living in Japan since 2005.  He trains with Hatsumi Soke and the Shihan, senior instructors, typically 5 to 6 days a week.

This DVD is, as Rob points out, not the “official” version of the foundational techniques of the Bujinkan, but rather a synthesis of each Japanese Shihans’ take on the techniques as studied and interpreted by Rob.

The DVD begins with Rob’s expanation of Hanmi, or “half-body” kamae.  This incomplete Ichimoni no Kamae has the hips at a 45 degree angle forward to facilitate structure, stability, and mobility instead of the traditionally taught kamae with the hips completely sideways while the head looks forward.  Not only is Rob teaching 1/2 kamae, but as each technique is analyzed, he shows how to utilize 1/2 the distance, and 1/2 the time as well to create more efficient, and effective, technique.

Each technique of the Kihon Happo is then presented, first as they are usually performed in Bujinkan Dojos worldwide, followed by a discussion of common problems and mistakes when done as shown.  Make sure to pay attention here as you may recognize some of your own mistakes.  This discussion alone is worth the price of the DVD! 

Rob then moves on to demonstrating and explaining how to use the principles of Bujinkan Taijutsu to effectively do the techniques.  Each section begins with a quick bulleted list of principles that will be taught for each technique.  This is an effective way to prepare the audience for the material to be reviewed in the section and also serves as an effective reminder as the same principles are presented, and added to, each time.  Throughout the principle-based discussions, Rob constantly stresses the importance of correct kamae by using hips, knees, feet, and shoulders in alignment to be able to control distance and move in any direction. 

In the Torite Goho section of Kihon Happo, Rob makes a very important distinction between translating kuzushi as “breaking balance” versus “breaking structure”.  When you break an opponent’s structure, he is still very much on balance, but simply can’t generate force in any meaningful way.  And, since his balance is not compromised, he still believes in his mind that he is okay.  Hmm… sounds like kyojitsu to me.  However, when breaking an opponent’s balance, his body will automatically endeavor to correct it and suddenly you’re in a fight.

Kihon Happo Techniques Taught on the DVD

Koshi Sanpo:

  • Ichimonji no Kata
  • Jumonji no Kata
  • Hicho no Kata

Torite Goho:

  • Omote Gyaku
  • Mushadori
  • Onikudaki
  • Ura Gyaku
  • Ganseki Nage / Musodori

In the final section of the DVD, Rob uses the Torite Goho to show examples of Hatsumi Sensei’s movement as it is today.  This is done by following all the principles espoused in the earlier parts of the DVD and through manipulation of the kukan and kyojitsu.  It’s a great way to wrap up, pull everything together, and show a progression of the material all at the same time.  This is a very well done DVD with tons of detailed instruction.  Highly recommended!

For more information, and to purchase the DVD, please see Rob Renner’s website, Bujinkan Zeropoint Dojo.

Fitness Requirements for Bujinkan Martial Arts Training

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As a 25 year veteran of Bujinkan martial arts training, as well as being the creator of Warrior Fitness Training Systems, one of the things I pride myself on is my ability to access the fitness needs of my fellow martial artists, particularly those who train in the Bujinkan.

A common misconception that you’ll hear bandied about from dojo to dojo all across the world is that strength, and by association overall, general fitness, is not required.

I think this has to do with a fundamental misunderstanding of how we train.  In class, when practicing techniques, it is imperative to be as efficient in one’s movement as possible, and thus avoid using excess, unnecessary power (read – strength).

In order to isolate the study of distance, timing, angling, and space management, one must put strength on the back burner in the dojo to avoid powering through the movements and missing all the wonderful subtleties that taijutsu has to offer.

However, in an actual conflict, you can and in fact, you must, use all your power, including strength, to survive.  As Jack Hoban said in his interview here, “real fights are very physical – tiring and punishing”.  Anyone who thinks physical fitness isn’t required in the traditional martial arts is really just kidding themselves.

Bujinkan Practitioners and Fitness

Why do Bujinkan practitioners need fitness training?

“Optimal physical conditioning provides the platform from which the skills can be used.”  

– Fred Hatfield, aka Dr. Squat

Meaning that the specific physical skills of taijutsu MUST be built upon a solid foundation of basics, like sanshin no kata and kihon happo, and even more fundamental, a strong budo-body.  Without this platform in place your martial art skills are like a house built on sand.

From my book, Warrior Fitness: Conditioning for Martial Arts:

 “Since combat occurs in a volatile and unpredictable atmosphere, training must prepare the warrior to adapt. Remember that the goal of all the exercises in this manual is to develop the ability to control the degree of tension in our body and be able to utilize just the right amount of force at the appropriate moment. This way we may be able to sustain activity for longer and longer periods of time without exhausting ourselves.”
 

The first step in ensuring you are building skill on top of a solid foundation is General Physical Preparedness (GPP).  The goal of GPP is enhanced work capacity.  This is the ability to run faster, jump higher, and hit harder.

When work capacity increases, it allows the budding warrior to adapt more easily to increases in both mental and physical demands.  In other words, it increases your capacity and level of readiness to absorb higher levels of specificity.  In a martial art as seemingly limitless as Budo Taijutsu, one must possess the endurance to “keep going!”

In Part 2 of this series on fitness for Bujinkan practioners, we’ll look at some examples of GPP type exercises and how to incorporate them into an overall training program.

  • Looking to increase your level of readiness for martial arts training and fitness?

 

Want to train more, at a higher level, for a longer period of time?

 

Want to get more out of your training time both at home and in the dojo?

 

Want to build new skills and enhance your technical arsenal?

My brand new program, The Power Protocol, will show you how!