The following set of exercises is specifically designed to increase flow (nagare) in your taijutsu. However, before we get into the exercises themselves we should address the question, what is flow? Flow is efficiency and continuity in movement. Flow is smoothness of movement that is unencumbered by mechanical, jerky actions. Moving at a faster pace and working harder, does not necessarily mean that the movement is flowing. In fact, if you are working harder, I can almost guarantee the movement is not flowing. Flow is not something you do; it is something you get out of the way of! What types of internal distractions, tensions, hitches in movement are preventing you from getting out of your own way? These flow exercises are culled from basic exercises of Bujinkan Budo Taijutsu, but can be utilized by anyone to expand your movement potential and increase flow. When training these exercises, the idea is, of course, continuous movement. Begin with a slow and smooth protocol, working on keeping a good technique level and efficient transition between the movements. One discovers the key to developing flow by examining the in between stages of movement. Often, we see the kamae (structure) and then we see the roll, but what we miss is the essence of flow – the small, transitory movements between them. Do not attempt to “accomplish” this exercise; that is not the point. Use it as a vehicle to unlock the flow in your movement. Try to keep moving. Don’t pause to think in the middle. Increase the speed as you begin to feel comfortable, but if the technique begins to get sloppy or the movements begin to look mechanical, drop down the intensity level until you are once again performing the flows with good technique. Remember, there is zero training value in simply trying to do the exercises for a “cardio” workout. Go buy a treadmill!

 1. Step back from a natural posture into left leg forward Ichimonji No Kamae. Do Chi No Kata. From the end point of the kata, continue lowering your center of gravity and extend the right arm to effectively blend the transition from Chi No Kata into a front roll. Allow the momentum of the front roll to carry you to your feet, lifting up from the crown of your head and using your spine, into right Ichimonji No Kamae and, without stopping in the kamae, leap forward landing again in right Ichimonji No Kamae. Continue the movement by reaching forward with the left hand with a feeling of the body being pulled by the hand into left Ichimonji No Kamae. Repeat on the other side.

 2. Step back from a natural posture into left Ichimonji No Kamae. Do Sui No Kata. From the omote shutou strike at the end of the kata, continue lowering the body with the weight on the front leg, simultaneously stepping through with the back leg to transition from the strike into a back roll. Allow the momentum of the back roll to carry you to your feet, lifting up from the crown of your head and using your spine, into right Ichimonji No Kamae and, without stopping in the kamae, leap backward landing again in right Ichimonji No Kamae. Repeat on the other side.

 3. Step back from a natural posture into left Ichimonji No Kamae. Do Ka No Kata. From the ura shutou strike at the end of the kata, bring your left foot forward next to the right foot a little more than shoulder width apart to transition into Hira No Kamae. Without stopping in the kamae, lower your center of gravity and flow into a side roll to the right. Roll right back into Hira No Kamae and leap sideways to the right, landing again in Hira No Kamae. Repeat on the other side.

 4. Step back from a natural posture into left Ichimonji No Kamae. Do Fu No Kata. Immediately transition to Hoko No Kamae and flow into a cartwheel. Land back in Hoko No Kamae and leap down into a kneeling Ichimonji No Kamae. Repeat on the other side.

 5. Step back from a natural posture into left Ichimonji No Kamae. Do Ku No Kata. Immediately transition to a forward breakfall followed by a forward roll into Jumonji No Kamae. Leap directly upwards. Repeat on the other side.

Enjoy!

Related posts:

1. Ukemi Flow Conditioning Workout
2. A Case for Mini Workouts
3. A Day in the Life…

Ukemi Flow

1. Begin in Shizen No Kamae (natural stance), squat down to ball of foot squat
2. Zenpo Kaiten (front roll) over the right shoulder
3. Ushiro Kaiten (back roll)
4. Stand up into Shizen No Kamae (natural stance), squat down to ball of foot squat
5. Zenpo Kaiten (front roll) over the left shoulder
6. Ushiro Kaiten (back roll)
7. Stand up into Shizen No Kamae (natural stance)
8. Yoko Nagare (side roll) with the leg crossing in front to the right
9. Yoko Nagare (side roll) with the leg crossing in front to the left
10. Stand up into Shizen No Kamae (natural stance)
11. Zempo Ukemi (forward break fall)
12. Stand up into Shizen No Kamae (natural stance)
13. Yoko Nagare (side roll) with the leg crossing behind to the right
14. Yoko Nagare (side roll) with the leg crossing behind to the left
15. Stand up into Shizen No Kamae (natural stance) – repeat!

Start out with 4 rounds of 3 minutes each with a 1 minute break between rounds.  Use the minute break to get your breathing back under control and shake out the tension.  When this becomes easier, decrease the rest period to 30 seconds between rounds. Finally, try to perform the Ukemi Flow continuously for 12 minutes.  You can also adjust the difficulty level of the flow by adding directional leaps at the end of each roll.  Or, it can be made easier by performing it from kneeling in Seiza no Kamae instead of standing.

Notes: Make sure you warm-up with brief joint mobility session prior to the workout.

Got your own version of an ukemi-specific workout?  Please share with us in the comments section below!

Related posts:

1. Unlocking Flow in Your Taijutsu Practice
2. Conditioning for Striking
3. A Case for Mini Workouts

Tired of the same old boring gym routine that has little to no relevance to your training?  Get the workout designed specifically for martial artists by a martial artist!

Get your copy of Warrior Fitness: Conditioning for Martial Arts today for only $15!

Click HERE now!

Related posts:

1. Warrior Fitness Book FAQs
2. Complete Warrior Fitness Training Program for Bujinkan
3. Jack Hoban on Fitness

This is a record of my activity from yesterday, Memorial Day 2010:

Morning

Life begins early here, even on long holiday weekends, since our 19 month old, Juliana, doesn’t distinguish weekends from weekdays yet!  So at 6 am I was up making coffee and searching through her Elmo DVDs to find the particular episode she wanted that morning.  As the coffee was brewing I began working through my joint mobility routine in the kitchen.  Each joint from neck down to ankles and toes is rotated through its entire range of motion to flush the joints with synovial fluid and increase blood flow to the surrounding muscles.  This has the effect of lubricating the joints and removing the “rust”, as well as awakening the entire body.

As interest in her Elmo episode waned and Juliana wandered off to “read” her books and play with toys, I began working through San Shin no Kata, the Bujinkan basic movement exercises.  Each movement was practiced stationary, then walking forward and backward with emphasis on using the spine to generate power for the movements.

Mid-Afternoon

In the afternoon I took the kids to the playground.  My older daughter, Caitlin, rode her bike while I pushed the baby along in her little buggy.  As I walked each step was coordinated with breathing to work on breath capacity.  For example, inhale for 5-steps, hold on the inhale for 5-steps, exhale for 5-steps, then hold on the exhale for 5-steps.  This can be done continuously with the same pattern or you can alter the number of steps for each breath cycle up or down to make it easier or more challenging.  See my post entitled Breathing 101 for more breathing related exercises.  At the playground, in between pushing the kids on the swings and taking the little one down the slide, I used the monkey bars for random amounts of pull-ups and chin-ups.

Evening

Finally got the kids to bed around 8:30 and went down to the basement gym for my workout proper.  My current program is geared towards developing unarmed striking power and basic weapons work. 

• Brief joint mobility warm-up
• Suburi with Yari (spear) – 3 rounds of 10 thrusts from Seigan no Kamae, 10 thrusts from Jodan no Kamae, each side
• Suburi with heavy bokken – 3 rounds of 10 cuts from Jodan no Kamae, advancing and retreating
• Swipes with 15 lb clubbell – 3 sets of 10
• Mills with 15 lb clubbell (think omote shuto type movement) – 3 sets of 10
• Reverse Mills with 15 lb clubbell (think ura shuto type movement) – 3 sets of 10
• Clean to Order with 25 lb clubbell – 3 sets of 5 each arm
• Clean to Order with 45 lb clubbell – 1 set of 5 each arm
• 5 minutes of various yoga asana to cool-down

This is just a quick glimpse into a much larger program that I am testing on myself for eventual release.  For more information on my previous programs, please check out my ebook, Warrior Fitness: Conditioning for Martial Arts.

Related posts:

1. Ukemi Flow Conditioning Workout
2. Sometimes It’s OK to Not Follow the Program
3. Unlocking Flow in Your Taijutsu Practice

Warrior Fitness Longevity Program

Please remember that there are no “one-size-fits-all” programs and that this was created specific to a friend’s needs.  It can, however, serve as an example and a template for you to program your own training.  As always, please feel free to contact me here or in the comments section below if you need any help or have any questions.

Related posts:

1. Fitness Requirements for Bujinkan Martial Arts Training
2. User Guide to the Workouts of the Week
3. Fitness Requirements for Bujinkan Martial Arts Training – part 2

Recently, as my own daily grind has become busier and busier, I have been finding just how effective mini workouts can be to fill in the gaps in one’s training.  These types of workouts are often overlooked because their brevity.  How can one possibly get a complete workout in 5 minutes?!  Well, you can’t.  But that’s not the point.  The effects of mini workouts is cumulative.  In other words, they add up over time.  They are not meant to completely replace your regular training, they are meant to enhance it and compliment it.  They are an effective way to keep yourself on track and focused while short on time.  Remember, the goal of the mini workout is not to be too complicated or over-involved.  Make them short, sweet, and to the point!

Examples of Mini Workouts

Here are just a few ideas I’ve found that make ideal mini workouts:

• 10 push-ups + 10 v-ups + 10 squats (repeat 3 x’s)
• Finger tip push-ups (see how many you can do)
• Tabata exercises (pick any one)
• 5 Kettlebell Snatches (each side) + 5 Kettlebell Swings (each side) + 10 Hindu Push-ups (repeat 3 x’s)
• Isometrics
• Breathing exercises
• Joint mobility work
• Pull-ups (5-4-3-2-1 rep scheme)

Mini Workouts for Martial Arts

The mini workout should be an essential aspect of any martial artist’s training.  It is said that great martial artists are training all the time.  Well known and respected masters from Musashi to Tesshu to Ueshiba toHatsumi Soke have constantly extolled the importance of solo-training and dedicated practice.  While mini workouts do not form a complete picture of solo- training, they do play an important role.  In the future, I’ll be sharing a more extensive look at solo-training for martial arts, particularly for Bujinkan practitioners.  But for now, here’s a short list to get you started:

• Ukemi practice – mix up rolls, change directions freely, roll over obstacles
• San Shin no Kata
• Solo flow drill – move continuously for 5 minutes. Flow from strikes to kicks to leaps to rolls, from kamae to kamae – be creative!
• Kamae work in a mirror
• Striking practice
• Junan taiso (see above!)

Make sure to make time for mini workouts!

Related posts:

1. Ukemi Flow Conditioning Workout
2. User Guide to the Workouts of the Week
3. How Dense are You?

Chuuto Hanpa Kihon Happo

This DVD is, as Rob points out, not the “official” version of the foundational techniques of the Bujinkan, but rather a synthesis of each Japanese Shihans’ take on the techniques as studied and interpreted by Rob.

The DVD begins with Rob’s expanation of Hanmi, or “half-body” kamae.  This incomplete Ichimoni no Kamae has the hips at a 45 degree angle forward to facilitate structure, stability, and mobility instead of the traditionally taught kamae with the hips completely sideways while the head looks forward.  Not only is Rob teaching 1/2 kamae, but as each technique is analyzed, he shows how to utilize 1/2 the distance, and 1/2 the time as well to create more efficient, and effective, technique.

Each technique of the Kihon Happo is then presented, first as they are usually performed in Bujinkan Dojos worldwide, followed by a discussion of common problems and mistakes when done as shown.  Make sure to pay attention here as you may recognize some of your own mistakes.  This discussion alone is worth the price of the DVD! 

Rob then moves on to demonstrating and explaining how to use the principles of Bujinkan Taijutsu to effectively do the techniques.  Each section begins with a quick bulleted list of principles that will be taught for each technique.  This is an effective way to prepare the audience for the material to be reviewed in the section and also serves as an effective reminder as the same principles are presented, and added to, each time.  Throughout the principle-based discussions, Rob constantly stresses the importance of correct kamae by using hips, knees, feet, and shoulders in alignment to be able to control distance and move in any direction. 

In the Torite Goho section of Kihon Happo, Rob makes a very important distinction between translating kuzushi as “breaking balance” versus “breaking structure”.  When you break an opponent’s structure, he is still very much on balance, but simply can’t generate force in any meaningful way.  And, since his balance is not compromised, he still believes in his mind that he is okay.  Hmm… sounds like kyojitsu to me.  However, when breaking an opponent’s balance, his body will automatically endeavor to correct it and suddenly you’re in a fight.

Kihon Happo Techniques Taught on the DVD

Koshi Sanpo:

• Ichimonji no Kata
• Jumonji no Kata
• Hicho no Kata

Torite Goho:

• Omote Gyaku
• Mushadori
• Onikudaki
• Ura Gyaku
• Ganseki Nage / Musodori

In the final section of the DVD, Rob uses the Torite Goho to show examples of Hatsumi Sensei’s movement as it is today.  This is done by following all the principles espoused in the earlier parts of the DVD and through manipulation of the kukan and kyojitsu.  It’s a great way to wrap up, pull everything together, and show a progression of the material all at the same time.  This is a very well done DVD with tons of detailed instruction.  Highly recommended!

For more information, and to purchase the DVD, please see Rob Renner’s website, Bujinkan Zeropoint Dojo.

Related posts:

1. Unlocking Flow in Your Taijutsu Practice
2. A Case for Mini Workouts
3. Fitness Requirements for Bujinkan Martial Arts Training

Breathing as a Bridge

You may not be aware that breathing is a bridge between our voluntary and autonomic nervous systems.  Meaning breath is plugged into both.  The autonomic system will keep you breathing continuously without your conscious control, or sometimes, without even your awareness of it going on.  But, you also have the power to override that control and decide at any moment to take a deep breath or hold your breath.  What does this mean to you though, right?  Well, here’s what it means, you have the power, at any time, to consciously choose to influence things like your heart rate and blood pressure which are not under your conscious control.  Now that’s fascinating to me!  Because breath is tied into both systems it can be used like a bridge to gain access to aspects of your body that you cannot directly control.  How do we do this?

Try This Experiment

Take your pulse.  Count beats for 10 seconds then multiply by 6.  If you’re sitting and relaxed, that number should be your resting heart rate.  Now, inhale as deeply as possible and hold your breath and tense your whole body for a few seconds.  Are you red in the face?  Take your pulse again.  What happened?  Your hear rate jumped up and your blood pressure spiked right along with it, right?  Now try exhaling for a count of 6, but don’t inhale yet.  Extend the pause before the inhale a little bit.  Feel more relaxed?  Check your pulse.  It should have dropped.  Pretty cool, eh?  And this is just the beginning.

The Exercises

Relaxing Breath (Square Breathing)

This is very similar to the experiment we did above.  The basic premise of our ability to influence the autonomic nervous system is that inhalation increases heart rate, which subsequently increase blood pressure, to a slight degree, while exhalation lowers heart rate and blood pressure to a slight degree.  During our normal cycle of breathing, these changes are too minute to register, or even notice.  But, by gradually lengthening our breath and extending the pause before inhaling and exhaling, we compound the effect.

1. Begin by exhaling through the mouth for 5 seconds.
2. Do not inhale.  Try to extend the breath pause for 5 seconds.
3. Before tension begins to creep in, inhale for 5 seconds.
4. Hold the breath on the inhale for 5 seconds.
5. Repeat the cycle 10 times.
6. As this becomes easier, and your capacity expands, try increasing the duration to 6, 7, 8 seconds.

Energizing Breath

In this breathing exercise we will utilize a protocol founded by yoga and improved upon by Russian sport science and martial art.  Here we will divide the breath into 3 levels: clavicular (upper level), intercostal (mid level), Diaphragmatic (lower level).  This exercise will focus only on the clavicular, or upper level.  I first learned this exercise, and several others including the next one below, about 10 years ago from my good friends Dave Rusin and Oleg Yakimovich who are ROSS Russian Martial Art instructors.  More information about ROSS can be found at their website here.  Check it out!

1. Exhale through the mouth in a short, quick burst by compressing the upper chest.
2. Do not actively inhale.  Allow the inhale to happen by relaxing the muscles in the chest.
3. Repeat rapidly 20 to 40 times.
4. Build up to where you can perform continuously for 60 seconds.
5. If you become dizzy, stop and sit down!

Restoring Breath

Here again we will depend on Russian sport science and martial art for our technique.  This one is literally a life saver when doing high intensity anaerobic workouts!  It can be used in between exercises as well as in between sets, during the rest period, and at the end of the workout to normalize breathing and dramatically lower heart rate.

1. Forcefully exhale as deeply as possible by rolling your shoulders forward, tilting the pelvis up, and contracting the core strongly.
2. Pause before the inhale for a few seconds.
3. As stated above, do not actively inhale.  Allow the breath to be sucked back in through the nose as your body returns to a natural standing posture. 
4. Repeat for about 60 seconds, or as long as needed.

Try these out and let me know how they work for you.  Any questions, please feel free to contact me here.

Related posts:

1. Morning Wake Up Routine
2. A Day in the Life…
3. So Ya Wanna Be a Ninja?

Basic Does NOT Equal Simple 

I think maybe the term “basic” itself is a little misleading.  When someone says, basic, most of us immediately translate it in our minds to “simple”.  Nothing could be further from the truth for the basics of our martial art.  What I’d like us to do today for the purposes of our discussion is to suspend the judgement that basic = simple.  Instead, replace the word basic with foundational.  How do you continue to build upon a skill set indefinitely?  Well, the foundation must be strong.  It must be broad.  And, to keep going higher still, it must be deep.

Each January, every year, for the past 20 years I have been training in the Bujinakn, my teacher, Jack Hoban, spends the entire month with us reviewing nothing but the basics of our art.  This sets the tone for the year and helps to increase the capacity of the entire class to absorb the higher level lessons for that year.  Guess what?  Invariably, I learn something new each time Jack teaches.  Every year, just by practicing the basics… eh… excuse me… the foundational training of our system new ideas, new concepts are born as we go deeper into the details and application of the techniques.

Shu Ha Ri

In traditional Japanese arts, there’s a concept called Shu-Ha-Ri.  This is a method of progression, or more accurately, a cycle of progression, for learning any art.

Shu - “Protect” the form. 

Ha - “Break” the form

Ri - “Leave behind” the form

This process is a continuous cycle in our Bujinakn training.  In order to progress higher in the art, our base must be solid, so we protect the form.  In order to understand the art, we must begin to break the form.  In order to master the art, we must leave the form behind.  Yet, this is not a linear progression at all!  Working on the foundation is never a step backwards.  Think of it more as a ratcheting back to spring forward.  Want to surpass your current level?  Strengthen the foundation.

Think you know the basics?  Think again.

I will be sharing my interpretation and experience of the foundational skills of Bujinkan Budo Taijutsu here.  Please come and check it out!

Related posts:

1. Fitness Requirements for Bujinkan Martial Arts Training

Instructions

Move from one exercise to the next with no rest between exercises.  Determine rest periods at the end of each set on your own.  If no rest is required then move back to the first exercise and begin again.  Strive to perform as many sets as possible in 20 minutes. 

 Upper Body: 

• Pull-ups – 5
• Shuto Push-ups – 10
• Fist Push-ups – 15
• Hindu Push-ups – 20

Shuto Push-up

Fist Push-up

 Core:   

• V-ups – 20
• Knee Hugs – 20

For reference, these exercises are illustrated and described here.

Legs:   

• Ichimonji Squats – 10 each side
• Walking Lunges– 20
• Mountain Climbers – 20

Finisher:   

• Wall Sit for time

This last exercise we will perform only once when the main work above is complete.  The idea here is to provide a final challenge to both the body and the mind.  You will already be exhausted from all the prior work, so consider this an exercise in willpower and mental toughness.  This will require the mental fortitude to push yourself just a little bit farther!

Remember, it requires more than a black costume and funny split-toe shoes to be a ninja – train hard!

Related posts:

1. So Ya Wanna Be a Ninja?
2. Warrior Fitness Workout of the Week #2
3. Warrior Fitness Workout of the Week #5